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Special Events
February 3, 2010
04:00PM - 05:30PM, International Institute Room 2636
Dong-Choon Kim is Associate Professor of Sociology at Sung Kong Hoe University in Seoul, Korea, and currently serves as a Standing Commissioner of the Truth and Reconciliation Commission, Republic of Korea.
October 28, 2009
04:00PM - 05:30PM, Michigan League-Vandenberg Auditorium Room
CKS Special Lecture: "US-Korean Economic Relationship and Significance of Korea-US FTA"
Guest Speaker: Honorable Sung-Hwan Son, Consul General of the Republic Of Korea
November 18, 2009
04:00 PM - 05:30 PM, 4pm, 1080 S. University, Suite 1636, School of Social Work Building
Deborah Solomon, Joint post-doctoral fellow, Reischauer Institute for Japanese Studies and the Korea Institute, Harvard University
June 15, 2009
06:30PM - 07:30PM, McIntosh Theater, Moore Building, U-M School of Music, Admission free
Ahn Trio Workshop - Artist Lecture & Demonstration
In conjunction with the Ann Arbor Summer Festival's performance of "The Insomniac Concert" on June 16, the Ahn Trio - sisters Maria, Lucia, and Angella - will speak about their work, artistry, and the need to synthesize, cross cultures and to cross genre boundaries.
March 2, 2009
06:30PM - 08:30PM, Hussey Room
Michigan League
911 N. University
Ann Arbor, MI 48109
Former South Korean Minister of Unification and Presidential Candidate to Address U-M Campus
December 4, 2008
04:00 PM - 06:00 PM, 4th Floor, School of Social Work Building
1080 S. University
The Center for Chinese Studies, Japanese Studies, and Korean Studies invite you to their annual end of term.
February 17, 2009
4:30 PM - 6:30 PM, Rackham Amphitheater
915 E. Washington
Ann Arbor, MI
48109
Cross-Currents: the Cinemas of Japan, China and Korea
Tom Vick explains how the cinemas of Japan, China, and Korea have influenced one another over the years.

March 15, 2008
5:30 PM - 7:00 PM, Britton Recital Hall
An evening concert of Korean komungo and the world's only electric komungo solo with video mandala and video mix that is grounded in meditation but utilizes contemporary art technology. The work begins with a contemplative hypnotic video mandala and the ancient 4th century acoustic komungo. Then it gradually moves into video mix with extraordinary juxtapositions, fast cut swirling images of a deconstructed electric komungo. The seventy minute long show, performed without breaks, has a range of interlocking and overlapping images and music from quiet contemplation to a romping ecstasy.

