The African Studies Center (ASC) sponsors conferences, lectures, exhibits, film series, and cultural performances throughout the year. These events are designed to foster understanding of Africa among members of the U-M community and the public and to advance the exchange of resources and knowledge between U-M and its partners in Africa.
In addition to our yearly programming, ASC considers funding requests to cosponsor lectures, events, performances, and activities that coincide with the our mission to promote a broad and deep understanding of the region. Request to cosponsor an event»
Space Limited, Registration Required
REGISTER HERE: https://goo.gl/forms/NzkPVDYe02OEq1902
How can the body be a laboratory for examining dialogue, choice-making, roles and habits? In this interactive workshop, choreographer and King-Chávez-Parks Visiting Professor Eryn Rosenthal will share some of her research on the connections between a dance form called Contact Improvisation and the political writings of Steve Biko, Ada Colau, Paolo Freire, Nelson Rolihlahla Mandela, Judith Butler, and others. What can the body bring to larger discussions of dialogue-building, diversity, inclusion, and empowerment?
Choreographer Eryn Rosenthal examines the democratic underpinnings of Contact Improvisation, and the role of the body in transgressing previously legislated boundaries. She has worked with choreographers Sello Pesa, Jay Pather and Sol Picó, poet Elizabeth Alexander, and documentary theatre pioneer Anna Deavere Smith, among others. Eryn’s ongoing series, The Doors Project, investigates transitions–political, social, intimate–through site-based performance in different doorways around the world. Her related dance theater performance and MFA thesis, Freedom Suite: Transaction Being Processed, based on ongoing oral history research with anti-Apartheid activists from New Brighton, Port Elizabeth, South Africa, will be touring to several festivals in 2018-19. Eryn is an alumna of the MFA program in Dance at U-M, where she also studied in the Ford School for Public Policy. She has performed and taught throughout the US, South Africa and Europe, and is delighted to be back at U-M as a King-Chávez-Parks Visiting Professor and Artist in Residence for Dialogue-Building, Diversity and Inclusion Initiatives. Learn more at www.erynrosenthal.com
This workshop is made possible through funding from the Office for Diversity, Equity and Inclusion (DEI); the King-Chávez-Parks Visiting Professorship; ArtsEngine; the CEW Frances and Sydney Lewis Visiting Leaders Fund; the School of Music, Theatre and Dance’s DEI Fund; the African Studies Center; the LSA Democracy in Action Fund; the W.M. Trotter Multicultural Center; and the Center for World Performance Studies.
If you are a person with a disability who requires an accommodation to participate in this event, please contact Center for World Performance Studies, at 734-936-2777, at least one week in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.
REGISTER HERE: https://goo.gl/forms/NzkPVDYe02OEq1902
How can the body be a laboratory for examining dialogue, choice-making, roles and habits? In this interactive workshop, choreographer and King-Chávez-Parks Visiting Professor Eryn Rosenthal will share some of her research on the connections between a dance form called Contact Improvisation and the political writings of Steve Biko, Ada Colau, Paolo Freire, Nelson Rolihlahla Mandela, Judith Butler, and others. What can the body bring to larger discussions of dialogue-building, diversity, inclusion, and empowerment?
Choreographer Eryn Rosenthal examines the democratic underpinnings of Contact Improvisation, and the role of the body in transgressing previously legislated boundaries. She has worked with choreographers Sello Pesa, Jay Pather and Sol Picó, poet Elizabeth Alexander, and documentary theatre pioneer Anna Deavere Smith, among others. Eryn’s ongoing series, The Doors Project, investigates transitions–political, social, intimate–through site-based performance in different doorways around the world. Her related dance theater performance and MFA thesis, Freedom Suite: Transaction Being Processed, based on ongoing oral history research with anti-Apartheid activists from New Brighton, Port Elizabeth, South Africa, will be touring to several festivals in 2018-19. Eryn is an alumna of the MFA program in Dance at U-M, where she also studied in the Ford School for Public Policy. She has performed and taught throughout the US, South Africa and Europe, and is delighted to be back at U-M as a King-Chávez-Parks Visiting Professor and Artist in Residence for Dialogue-Building, Diversity and Inclusion Initiatives. Learn more at www.erynrosenthal.com
This workshop is made possible through funding from the Office for Diversity, Equity and Inclusion (DEI); the King-Chávez-Parks Visiting Professorship; ArtsEngine; the CEW Frances and Sydney Lewis Visiting Leaders Fund; the School of Music, Theatre and Dance’s DEI Fund; the African Studies Center; the LSA Democracy in Action Fund; the W.M. Trotter Multicultural Center; and the Center for World Performance Studies.
If you are a person with a disability who requires an accommodation to participate in this event, please contact Center for World Performance Studies, at 734-936-2777, at least one week in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.
| Building: | East Quadrangle |
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| Website: | |
| Event Type: | Workshop / Seminar |
| Tags: | Activism, Dance, Diversity Equity and Inclusion, Faculty, Inclusion |
| Source: | Happening @ Michigan from Center for World Performance Studies, School of Music, Theatre & Dance, Residential College, ArtsEngine, African Studies Center, Trotter Multicultural Center, LSA Diversity, Equity, and Inclusion |
